Posts Tagged 'Music'

Learn Your Parents’ Music

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I grew up with a Mum that taught me about David Bowie, and Marc Bolan, and a Dad that played The Smiths in the shower as loud as the stereo would go. I spent a large portion of my childhood being physically forced to transcribe James lyrics so he could learn them for the Karaoke. There was never any question in our house about what real music was. 

I did buy the Number 1 single every week, and knew the lyrics to Take That, and The Spice Girls, because I had to fit in at school, but I always knew, at the back of my mind, that that wasn’t the real music.  The real music was what my parents played at full volume when they were getting ready to go out.  The smell of hairspray, and perfume; the twist of lipstick, and the creak of leather jackets, will always be married to The Style Council, always The Style Council, and Rod Stewart.

My parents didn’t forbid me anything musically, but neither did they need to tell me that modern music was trash, because they demonstrated by example. For my sixteenth birthday, I was given a Motown compilation, not because I needed educating, but because I needed more.

 The same applied to comedy.  I was recently discussing comedy with some work colleagues between the ages of eighteen and twenty-two, who sited ‘old comedy’ as The Fresh Prince of Bell Air.  When I mentioned Blackadder, Steptoe, Fools and Horses, The Young Ones, Pete and Dud, Rising Damp, I was met with a room full of blank faces.  Similarly, when I returned from Glastonbury in the Summer, full of excitement that I had just seen The Rolling Stones, I was greeted by a room that was silent for half a beat, and the dissection of Miley Cyrus and Rhianna singles then resumed.

These blank faces of the young people, particularly the teenagers, lead me to wonder what their parents are teaching them.  I wonder, when I see one of these “Directioners”, or “Beliebers”; a new generation of technologically fuelled obsessives, why their parents aren’t teaching them that there is more to life than One Direction.  Why is no-one in their life teaching them what real music is?  Because it sure as hell isn’t Justin Bieber.

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Mania has always existed, from The Beatles to The Rolling Stones, right through to Take That.  Teenage girls have always been frighteningly obsessed by popstars.  For my Mum, before she fell irrevocably in love with Marc Bolan, it was The Bay City Rollers.  She sewed tartan into her jeans, and slashed her lip with a razor so she’d have a scar like Les McKeown.  Unfortunately, because she made the cut in the mirror, it ended up on the wrong side of her face.  However, whereas Beatlemania was on a certain level; girls screaming at airports and concerts, and then going home for their tea, happy and safe, the recent documentary about Directioners proved that this new generation of fans have taken things to a whole new level.  Aided by the internet, teenage fanatics can now devote their whole day, every day, to their chosen subject, and the hours spent online are proving extremely unhealthy.  The level of obsessiveness has already reached life-threatening depths.

Taste is very personal, and the kind of music, books, and comedy a person likes is what defines them, and what kind of person they choose to be.  These things are part of our identity, and how we signify to the world that were are angry, happy, goth, metalhead, pill-popping clubber, classically refined, jiver, swinger, crier, harmer, mod, rocker, romantic, new-wave, dubstep, rapper.  What we listen to is who we are, and there are no two people the same.  However, nowadays, that idea is already almost extinct.  The idea that no two people are the same is being rapidly extinguished by a generation of people who wear the same, listen to the same, watch the same, say the same, think the same, do the same.  Everything they do is the same, and the pictures they post of it on Instagram are the same.  What makes it dangerous is that they have no comprehension that there is an alternative.  For these young people, there is nothing else.

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Whilst recently browsing Twitter, I saw the hashtag #10songsthatmakeyoucry.  Bored, I clicked on the hashtag, hopefully expecting perhaps REM, The Smiths, Radiohead, Elvis Costello, Johnny Cash, Jeff Buckley, Jonie Mitchell, maybe Adele.  After scrolling for a good ten minutes, I didn’t see a single song listed that wasn’t by One Direction, Rhiana, Beyonce, or Justin Bieber.  No exceptions.  That was it.  There were no other artists listed, just hundreds and hundreds of people listing the same handful of songs by those four artists, perhaps with a Lady Gaga thrown in.  Where is the autonomous thought?  Where is individuality? 

I’m from a generation which, like those before us, take immense pride in the individuality of our musical taste.  When I was eighteen, at sixth form college, when questioned on your taste in music, what you listened to absolutely had to be completely different from anybody else in the group.  If you mentioned an artist or song that was mentioned by somebody else, instead of solidarity, you’d be labelled generic, and mainstream.  Your musical taste had to be eclectic, individual, authentic.  You had to actually like music for specific reasons, not just because everybody else did.  What has happened to that world?  From what I’ve seen, it’s slipping away.

If I have children, I won’t forbid them any music, but I’ll make sure I educate them well enough that they can choose intelligently, and find music that brings them to life.  Music should make you feel  so many things, and I want my children to have the power to choose from anywhere in history, rather than the top 10.

I want to grab these teenagers by the shoulders, each and every one of them, and scream into their faces that Lady Gaga is not the most inspirational artist ever to have lived, and play them some David Bowie, or T-Rex.  I want them to lose their breath as Nina Simone ends Feeling Good.  I want their throat to catch, as Bowie’s does, I want them to feel their heart quicken as Marc Bolan takes a sharp intake of breath, and they hear his words; ‘Take me.’  I want them to know what’s out there.  There is so much out there.  I want them to hear Bowie cry ‘Oh no, Love, you’re not alone’ in Rock and Roll Suicide, and feel a far greater solidarity than the one they get from having the Twitter Username ‘1DirectionFan32545223’.

Please, know that there is so much out there.  Your life can be enriched.  You can be so moved by people who play instruments, write their heart and blood into the words, and sing their entire soul out into the microphone.  Listen to somebody singing their own words, and you won’t even call Justin Bieber music. 

Listen to Alex Turner, if you want to be modern.  Music sung and performed by the people that wrote and lived it is completely different to the plastic, mas-produced, computer-produced pulp and trash that floods the world as music nowadays.  Listen to Mick Jagger.  Listen to Bob Dylan.  For God’s sake, listen to David Bowie.

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Summer is for Music and Dresses

When the weather is beautiful, all I want to do is put on a dress and listen to music.

Summer Playlist: 

1.  Two Door Cinema Club, Tourist History (Record)

  1. Cigarettes In The Theatre
  2. Come Back Home
  3. Do You Want It All ?
  4. This Is The Life
  5. Something Good Can Work
  6. I Can Talk
  7. Undercover Martyn
  8. What You Know
  9. Eat That Up, It’s Good For You
  10. You Are Not Stubborn

2. The Twang, Two Lovers (Track)
3. The Best of Fleetwood Mac (Record)

  1. Rhiannon
  2. Go Your Own Way
  3. Don’t Stop
  4. Gypsy
  5. Everywhere
  6. You Make Loving Fun
  7. Big Love
  8. As Long As You Follow
  9. Say You Love Me
  10. Dreams
  11. Little Lies
  12. Oh Diane
  13. Sara
  14. Tusk
  15. Seven Wonders
  16. Hold Me
  17. No Questions Asked

4. Dirty Pretty Things, B.U.R.M.A  (Track)

5. The Very Best of The Velvet Underground (Record)

  1. Sweet Jane
  2. I’m Sticking With You
  3. I’m Waiting For The Man
  4. What Goes On
  5. White Light/White Heat
  6. All Tomorrow’s Parties
  7. Pale Blue Eyes
  8. Femme Fatale
  9. Heroin
  10. Here She Comes Now
  11. Stephanie Says
  12. Venus In Furs
  13. Beginning To See The Light
  14. I Heard Her Call My Name
  15. Some Kinda Love
  16. I Can’t Stand It
  17. Sunday Morning
  18. Rock & Roll

6. The Libertines, Boys in the Band (Track)

7.  Blondie

Sunday Girl (Track)

Rapture (Track)

8. Bombay Bicycle Club, Flaws (Album) 

  1. Rinse Me Down
  2. Many Ways
  3. Dust On The Ground
  4. Ivy & Gold
  5. Leaving Blues
  6. Fairytale Lullaby
  7. Word By Word
  8. Jewel
  9. My God
  10. Flaws
  11. Swansea

9. The Emotions, Best of My Love (track)

10. Kasabian, Secret Alphabets (Track)

11. The Rolling Stones (Because it wouldn’t be summer without the Rolling Stones), Beast of Burden (Track).

12. Al Green

1. Tired of Being Alone (Track)

2. How Can You Mend a Broken Heart (Track)

The music you listen to in the summertime has to have a special quality.  It has to be light, and fresh, but deeply funky and soulful.  It’s the kind of music, as some of the tracks above have been for me, the kind of music that comes onto your i-pod when you have it on shuffle, lying on the sand of a beach, and it just feels perfect.  It’s about the music you’re listening to fitting the light around you perfectly; that golden-green light.  Summer music, more than any other, has to be music you love.

I had to restrain myself, because I didn’t want to stop compiling this list.  This is only a tiny selection of the music I’ll be listening to this summer.  Feel free to add to it.

Regrets, so painful, that I’ll carry forever.

In St Mark's Square, Venice, wearing an outfit that I didn't even like back then, let alone now.

Things that I regret:

  • Not allowing moments to be special. My prom, leaving school, even being at school, birthdays, holidays, being part of big stage productions, I let it all flash past without taking any notice of it.
  • Not taking more photographs. I wish I had pictures, to help remember the memories I try to look back on.
  • Not properly bothering about what I wore, or how I looked.
  • Being too afraid to take chances, and letting opportunities slip past.
  • Not having enough confidence to feel comfortable physically.
I have a feeling, though, that it might not be my fault.  In the last ten years or so it has become Zeitgeist to celebrate the special moments, to photograph everything, to cherish moments with friends, to appreciate how special every day at high-school and college actually are, to revel in and enjoy wearing clothes every day, to have an identity.  It was only when I was about twenty that I discovered clothes, real music, photographs, memories, special moments.  Before that time, around 2002 I would say, it seemed that we just existed, getting from one moment to the next, just *being*, and not celebrating it.  I’m almost sure it has to do with background.  Nineties, northern, working class, being special just didn’t happen.  At school we all had identical pencil cases, shoes, coats, bags, hairstyles, no-one was different.  It was a very dreary, rainy, grey existence, where you didn’t have chance to appreciate something as being special.  I watch episodes of Glee or The OC now, and everything they do is a celebration; one long prom, and high-school is magical, just as it should be.  Looking back, I did have magic, in my small group of friends, we laughed and had moments, but never appreciated them.  I think I might have seven photographs of me, if that, for the whole time I was at school and college.  In one of them I’m wearing a Manchester United football top, lying on the grass in London.  I wish I could live then, as I am now.

Glee's American Dream

On the night of my prom I got ready in the bathroom at home.  It was the first time I’d ever had a proper up-do, and my dress was from Topshop (before Topshop was popular in Runcorn).  I heard the limo beep downstairs, panicked because I thought I had to be in it NOW, and ran downstairs.  My family were all waiting with cameras, but I wouldn’t stop, I ran straight past them, out of the house, and into the limousine, and my Grandad just managed to get a photo of me from behind that’s a bit blurry.  Everyone else has beautifully posed photographs, a treasured keepsake of their sixteen year-old self, to keep forever, and all I was bothered about was that I might keep the driver waiting.  In fact, they’d come early, specifically to give us chance to have photographs taken.
I’m not exactly cool now (far from it), but I wish I’d had the confidence that I have now to defy what I look like and at least *feel* cool, back then.
At primary school I was always a tomboy, never quite felt like a little girl. I’m on the front row, at the end on the left.
Everything was identical, nothing was allowed to be creative or pretty, it was black, ugly, and smelled slightly of sweat.  I’m at the front, crouching on the ground.
The person in the tracksuit is the teacher.  She wasn’t even a P.E teacher.  I liked her though, she once said that when I go on stage I ‘light up’.
 
 Even in rehearsals, doing what makes me what makes me most happy, I never allowed myself to feel like a real actor, never enjoyed the moment.
One exception to the rule, a moment always guaranteed to make me feel special and glow with pride, is taking the final bow at the end of the performance.

This was one of the first nights when I hadn't planned or expected it to be special, I'd just gone out to a local amateur dramatic awards evening, not expecting anything, and it turned into one of the most special nights of my life. Even though I hadn't thought much about my outfit, it felt right, and I felt confident in myself. As I walked casually onto the stage and was presented with the trophy and handed a bottle of champagne, I was grinning. It was a truly special moment, that I hadn't seen coming.

Maybe that’s the point, perhaps when you plan something so strictly, and build your expectations up, waiting for something perfect and significant, it somehow never manages to *feel* significant.

This was the night of my twenty-first birthday. It was one of the first occasions when I'd spent time thinking about my outfit, and really made an effort. Somehow, I managed to feel radiant.

The good thing is that I have, thankfully, learned.  I still haven’t got it perfected, but I’ve learned that that feeling of surety and inner-poise doesn’t come from how you look, or from careful planning, it comes from feeling confident and at ease in your own skin, and THAT is what I have learned.  I still look as awkward and freakish as ever I did, but I’ve managed to overcome it, and to feel good about myself, even though I know I don’t look how I’d like, or sound how I’d like, or anything how I’d like.
I try to stop myself regretting, and to only allow positive thoughts to develop, but I can’t help wishing I could have those times back, to live those days again, as myself as I am now. (If only to be thin again.) I’d listen to more music, wear better clothes, and cherish every single moment of the the youth that is so precious.  I feel sad and terrified that it’s slipping away, and at twenty-six next month, there isn’t much sand left in the hourglass.

My Favourite Things This Spring: London, Trousers, and Moments.

These are the things making me smile this Spring…

1. London 

One thing I love, and it isn’t a new thing, but something I’ve been obsessed by for years, is when Londoners put ‘The’ in front of a road name.  For example, someone from London doesn’t just say ‘King’s Road’ they say ‘The King’s Road’.  I love anything which is intrinsically and traditionally ‘London’.  I love the people, the streets, and buildings, and parks, I love London as a living entity, and so I love anything which makes you instantly aware of its own metropolitan authenticity. It’s like music to me, that intoxicating London lilt; ‘Where did you see him, Bill?’, ‘I saw him down The Tottenham Court Road’.

This picture was taken backstage at a production of Rocky Horror, at The King’s Road Theatre, in 1976.  It embodies the King’s Road atmosphere and reputation for punks, theatre and creativity.

I love this quote, which I found with the photograph; “Back again.  This time, the first ‘West-End’ production at The Comedy Theatre, re-staged by the original director, Jim Sharman. It was only towards the end of this run that we noticed a strange phenomenon; American tourists who seemed to think they were part of the show  started shouting out stuff, much to their own amusement …

We just thought they were twats.”


The photo is a beautifully typical snapshot of unseen London life, one of those moments that happens with people who aren’t beautiful, aren’t scripted, but are alive in a room together, somewhere down a dark street in London.  This brings me onto my second item…

2. Moments

I love the moments in life, the moments that aren’t planned and often only seen by one person, or a few, which are breathtakingly beautiful.  I was on the train today, it was early evening, about five o’clock.  I was listening to The Cure, looking out of the train window at fields which were green, shining with the rain that had been falling earlier in the day, in bright sunshine.  The carriage was quiet and empty, and it was a beautiful moment.  I think I may have written about this before, but just in case I haven’t… Last year, early in the summer, I was walking the Dog, and I turned onto the Heath, just as the sun was setting, and I looked out across the fields of horses, and boys playing football, and the empty Heath, just as For Lovers by Pete Doherty started playing in my earphones.  I feel like a pompous prig for saying this, but that moment almost made my cry.

I recently wrote in a poem;

What about the English air
steeped in home-cooked chip fat
in late-afternoon sun,
and that place in the Colosseum
where every wayfarer stands to have their photograph taken?
Moments of well-worn summer
like comfortable clothes
in the quietness of a moment alone,
an outfit that no-one will see,
a minute’s picture-idyll,
the light catching the natural arrangement of blonde hair,
like cotton against your legs
that only you will feel.

3. Trousers

Being short in height and somewhat rotund, it isn’t easy to find clothes which are flattering.  In my head I look like a Jack Wills model, in reality I look like a Julie Walters character.  However, I recently found a pair of trousers which I like.  I always believed that I could only get away with certain things, and that I couldn’t go near anything chic or stylish, but these trousers are chic.  They were from Zara, around £22, which is a bargain in my eyes.  I love them, and will wear them all summer.

(I’ll add a picture to this Blog when I don’t have a towel on my head).

Well-Worn Music II

Following on from yesterday’s post https://vikkilittlemore.wordpress.com/2011/04/07/well-worn-music/, I decided to accept my own challenge, and on the train journey home yesterday evening I hit the shuffle button and zipped my i-Pod away in my bag, so that I wouldn’t be tempted to hit skip.  To my utter delight I was treated to a wealth of songs that I haven’t heard for quite some time, and which I’d almost forgotten about.  In the short time it took to travel from Chester to Runcorn I was treated to a long-lost Oasis track that I haven’t heard for years, and which instantly transported me back to the 1990’s, Kings of Leon, Iggy Pop and The Stooges, songs which are there on my i-pod because I love them, but which I rarely listen to.

In the euphoria of this fresh music; invigorated, enlivened, it was only then that I realised how tired and bored I had become with listening to the same small selection of songs all the time.  As I mentioned last week, talking about Winter, you don’t realise how much something is weighing you down and depressing you; whether it be the cold, dark days of Winter, or the mess in the corner of your bedroom, you only realise that a weight has been lifted once it has gone.

So, I have well and truly learned my lesson and from now on I will put complete trust in my own music, and trust that there are no bad songs on my i-pod (which there aren’t), and from now on I will never fall back on the Top Rated Playlist. Ever!

 

Well-Worn Music

 

Do you ever sing really loudly, not caring whether anyone can hear you?  Sometimes the only thing that will lift my mood is filling my flat with my favourite music, loud, and singing at the top of my voice, even with the windows open, completely oblivious to whether or not my neighbours, people walking past down on the street under the window, or anyone else, can hear me.  What’s more, I know I can’t sing.  People often say that they are tone deaf.  I’m not.  I can hear perfectly well just how badly I sing, and it makes me sad, because whereas some people dream of flying high above the treetops like a bird, or ruling the world, or having mountains of gold to roll in, my dream, if I could choose any, would be to sing brilliantly, and play Sally Bowls in Cabaret.

The problem I find when it comes to music  is that I often feel my listening habits are stagnated.  Back in the days before i-tunes, when we actually played CD’s, I would always, without fail, put a CD in and immediately skip between the songs I liked.  I later developed a nagging worry that I was, quite rightly, skipping past many songs that I would probably love if I only gave them a chance, but I never did.  As technology progressed, so did I, and I moved on to creating CD’s of my favourite songs; disks filled exclusively with songs I loved and had listened to over and over again.  While it made me happy to hear these songs, I realise now that I was narrowing my musical taste, and limiting what I was exposing myself to, robbing myself of many opportunities of discovering new, equally loved, music.

Nowadays, I’m guilty of the same flaw.  The luxury of i-tunes has allowed me to create my ‘Top Rated’ playlist (a list of all the songs I love) and I find that I increasingly only listen to these songs.  The reason?  I don’t trust the other songs, the ones that I haven’t earmarked as somehow special, to make me feel happy in the way the others do.  When I put my headphones in, I want to know that I’m guaranteed of hearing a brilliant song.  Now, I know that I should have more faith in the other songs, because I know very well that my i-pod only contains music that I love, by artists who I consider ‘good’.  So, why can’t I have more confidence and just reach for the shuffle button?  It’s a gamble, but I must do it.

 

The Power of Songs to Make Us Cry

What is it about certain songs that touch one so deeply?  With some it’s the lyrics, others have such a beautiful melody, or even just the tenderness in the voice of the singer.  For me, there are a few, just a few, very special songs that I know, whenever I listen to them, will move me.  I’ve never actually shed tears solely from listening to a song, but some bring me very close.

Some songs hold a connection to someone we know, the subject and lyrics may remind us of someone in our family, which means that the song automatically connects to that person in our head.  An example would be Handbags and The Gladrags.  I find this song so incredibly sad, because it makes me think of my own Grandad and the line ‘That your poor old Grandad had to sweat to buy you’ makes me think of all the sacrifices my Grandad has made to give me things I wanted over the years, and how hard he worked to do it.  Some connections are less obvious.  For example, (another Rod Stewart song, sorry) in Maggie May, there is a line; ‘The morning sun when it’s in your face really shows your age.’  The line always makes me think of my Dad, and how he’s ageing but still wants to be young, and the injustice of growing old, hanging on to youth.

Sometimes songs remind one of a time and place, a period in one’s life.  For example, two songs will always remind me of the phone call that told me I’d been accepted into University.  Immediately after I’d put the phone down, I played Last Night and Someday, both by The Strokes, to celebrate, and those two songs will always take me straight back to that moment of elation and pride.  Similarly, a group of songs will always remind of a certain summer that I spent in my flat, shut away behind closed curtains, which I will always think of as the summer when I found myself and learned to write.

I mentioned, at the start of this post, tenderness of voice.  Some songs have an emotional power, for me, because of a quality in the singer’s voice.  Examples of this would be Last of The Ladies, or any song really, by The Courteeners, because of the gentleness and  touching quality of Liam Fray’s voice.  All of their songs are excellent, and almost all of them are beautifully moving, because of his voice.  Similarly, Pete Doherty.  Many of the songs Doherty sings with The Libertines, Babyshambles, or on his own, have a euphoric and celebratory note, and are uplifting.  I happen to think that almost all of them are fantastic music.  Some of them, a small selection, are more sedate and take on a beautifully poetic and almost heart-breaking quality.  An example would be For Lovers, which is Wolfman featuring Pete Doherty.  This song is so sad in the tone, audibly, and incredibly sung.  Last summer I was out walking on my own with the dog and I turned off the path onto the Heath, near where I live.  I was surrounded by a vast expanse of fields on one side and a view over the river and fields full of horses on the other.  As I set off, veering slightly downhill, with the sun setting in a flare of gold and orange and green, over the fields, For Lovers came on my Ipod, and it took my breath away.  The beauty of the moment, and the sound of the song, was magic.

Just over a year ago I went to the funeral of an eighteen-year-old boy, who was a very close friend.  This young man was devoted, in a way you can’t imagine, to music.  He spent any time he had travelling down to London for gigs.  His heroes were Morrissey, Robert Smith, and Pete Doherty.  He’d shook Morrissey’s hand, and was a regular visitor to Pete Doherty’s gigs and flat, and was on friendly terms with him.  There is a video of him playing the guitar while Pete warbles through Heaven Knows I’m Miserable Now.  The funeral was a very religious, catholic ceremony, and nothing in the service moved me that much.  Aside from feeling undeniably devastated at losing this friend, I didn’t actually cry all the way through the ceremony, until it ended, and I heard the first few notes of Music When The Lights Go Out by The Libertines.  Nothing else in the service had spoken about this person as an eighteen-year-old lad, or even as a human being.  The service talked about God and heaven, but nothing personal.  When this song started playing, I felt suddenly that it was Dale’s funeral.  Since then, the song will always be special to me, even more than it was before.

In the way that smells can take me back to a memory, or a time and place, and make me instantly remember where I was and what I was doing, create a picture in my mind of a specific situation, music takes me instantly back to specific emotions, and recreates that feeling deep inside me, every time I hear it.


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Sylvia Plath said; "Let me live, love and say it well in good sentences". My aim in life is to find things and people to love, so that I can write about them. Putting words together is the only thing I can see myself doing. This blog is an outlet, and I hope you enjoy reading it. Please feel free to comment on posts, or contact me by the special e-mail I've set up (vikki.littlemore@live.co.uk) with your thoughts.


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The New Remorse, Oscar Wilde.

The sin was mine; I did not understand.
So now is music prisoned in her cave,
Save where some ebbing desultory wave
Frets with its restless whirls this meagre strand.
And in the withered hollow of this land
Hath Summer dug herself so deep a grave,
That hardly can the leaden willow crave
One silver blossom from keen Winter's hand.

But who is this who cometh by the shore?
(Nay, love, look up and wonder!) Who is this
Who cometh in dyed garments from the South?
It is thy new-found Lord, and he shall kiss
The yet unravished roses of thy mouth,
And I shall weep and worship, as before.

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Music I Love (In no particular order, except that The Smiths are first)

The Smiths,
The Libertines,
The Courteeners,
Nina Simone,
Oasis,
Pete Doherty,
Gossip,
The Kills,
Amy Winehouse,
Arctic Monkeys,
Rod Stewart,
The Doors,
The Rolling Stones,
Etta James,
Babyshambles,
T. Rex,
The Jam,
Morrissey,
Guillemots,
The Kinks,
Jack White,
The Deadweather,
David Bowie,
The Winchesters,
The Cure,
Kaiser Chiefs,
The Kooks,
The Twang,
Kings Of Leon,
Pulp,
Blur,
The Housemartins,
The Ramones,
James,
Robots in Disguise,
The Klaxons,
Kate Nash,
The Raconteurs,
Regina Spektor,
Aretha Franklin,
Stereophonics,
The Contours,
Dirty Pretty Things,
The White Stripes,
New York Dolls,
Yeah Yeah Yeahs,
The Clash,
Style Council,
Velvet Underground,
The Horrors,
The Cribs,
Reverend and The Makers,
The Subways,
The Wombats,
Foals,
Elle S'appelle,
The Troggs,
The Beatles,
Echo and the Bunnymen,
Florence and the Machine.

Olive Cotton, Tea Cup Ballet, 1935

Olive Cotton, Tea Cup Ballet, 1935

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Will it ever be alright for Blighty to have a Queen Camilla?

One less tree from our window each day


Vikki's bookshelf: read

Harry Potter and the Sorcerer's Stone
1984
Twilight
Of Mice and Men
Pride and Prejudice
The Hobbit
The Da Vinci Code
Lolita
Tipping the Velvet
Wuthering Heights
The Picture of Dorian Grey and Other Works by Oscar Wilde
Bridget Jones's Diary and Bridget Jones: The Edge of Reason
Irish Peacock & Scarlet Marquess: The Real Trial of Oscar Wilde
The Peculiar Memories of Thomas Penman
Moab Is My Washpot
The Bell Jar
The Other Boleyn Girl
On the Road
Brideshead Revisited
Revolutionary Road



Vikki Littlemore's favorite books »

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